That Floating Poo Was Way Too Symbolic! These Are the Television Disappointments of the Year.
As we reflect on the television landscape of the recent year, a selection of series emerge not for their brilliance, but for their spectacular failures. From awkward sequels to confusingly poor documentaries, here are the programmes that left us utterly bewildered or simply reaching for the remote.
The 'Sex and the City' Sequel
How to start with this divisive follow-up? Plagued with woeful writing, painful character development (we demand better for Miranda!), and a paltry 71 seconds of beloved Samantha, the show fought to justify its existence. For a moment, as the third series started, it seemed as if it had at last hit its stride. Then came an episode all about Seema’s natural deodorant. No wonder the creator announced this would be the final season. It ended on a low point; the closeup of Miranda’s toilet flooded with poo was just way too symbolic. Still, fans undeniably found joy picking apart every single “what on earth?” moment. And as Carrie – once again single – twirled around her palatial townhouse to Barry White, who couldn't release a small sob?
The Kim Kardashian Drama
‘Can Kim Kardashian act? Of course she can’t.’
But that was practically the least of this drama's issues. The recipient of a very rare zero star assessment, it was difficult to know where to start listing the flaws. The laughably wooden writing? The mind-numbing glorification of wealth and materialism? The almost deliberate procession of cliches? Performances so bad they felt borderline spiteful? Let’s just say “all of the above” and never speak of this series again. However, a new season has been commissioned, so we’re probably going to have to.
The Charlie Sheen Documentary
Given the restraining orders, abuse claims and fatherly failures, it’s fair to say Charlie Sheen has been a troubled figure. Not you’d really have known it from this three-part documentary which smirked its way at Sheen’s various bouts of self-destructive excess while struggling to tell us a single thing we didn’t already know. Rather, it felt as if this volatile personality was being indulged, so any sympathy this show might evoke should be saved for the people who have had to endure close contact with this charming but flippant egotist.
The Iris Affair
Of course we understood it was ridiculous from the outset: a thriller about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or destroy all of humanity. We persevered out of sheer love for its leads … but by the end, it felt like even they had stopped bothering. One barely cared when his character died, and the other ultimately hacking Charlie with an axe … in painfully slow-motion. Talk about giving up the ghost.
The Gangster Drama
Dodgy characters convening in empty boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and wants its gangland drama back.
Actually, that is unfair on the gangland dramas of the late 90s. Many seem a bit dated now, but at least they didn’t endure the ignominy of having to indulge baffling dialects. But there were plenty of other issues. Primarily that it was just really boring; a dispute over drug-selling territory between various London rogues which felt a bit basic.
With Love, Meghan
Given the degree to which she provokes the ire of the nation’s performatively enraged commentators, it’s almost easy to admire the Duchess of Sussex’s various forays into twee lifestyle as deliberate provocations. But then you view them and are forced to concede that in this case, they may have a point. It’s like watching a lifestyle magazine come to life; a poster for wine o’clock with delusions of grandeur; a parade of sleeping dogs, humming beehives, sentimental sayings and pointless crafting “hacks” you’ll forget instantly. All supported by immense, mostly undeserved wealth. Ugh.
The Beckham Documentary
There are clearly fascinating things to be discussed about regarding Victoria Beckham and her journey with vocation, identity, self-acceptance. But for some reason, this documentary series opted not to explore them. Instead, the experience was like reading a marketing catalogue. She obviously has good reason to resent what she describes as her “miserable cow” image. But sadly, she didn’t do herself any helps with this cagey letdown of a series.
The Inheritance
It had the potential to be the next cultural phenomenon – except even more extravagant, with a glamorous star playing dead and a well-known personality managing her inheritance. What more could you ask for? As players competed, there was plenty of backstabbing and squabbling. But the rules quickly became bewildering: it’s still too complicated to explain what precisely was happening. Even more regrettably, we only saw glimpses of the star via prerecorded videos. The series ended up reeking of a production that was trying way too hard to emulate something way beyond it.
The Lena Dunham Romcom
How does one follow a show that captured a generation? The expectation was enormous for this glitzy romantic comedy about Jessica, a rosy-eyed New Yorker who arrives in London with a shattered romance. The star took her biggest role by the horns and was a delight to watch, embodying Austen levels of romantic ideals. But it was all very glossy and, paradoxically, was insufficient. Plus, the sheer amount of celebrity cameos involved felt icky.
Mitchell & Webb Are Not Helping
Not even good enough to be ‘patchy’.
Given the shrewd inclusion of gifted emerging comics, expectations were high. But unhappily, most of it didn’t land. A particular sketch was a single joke milked to a dry pulp but repeated in every episode. One star seemed too willing to slip into a well-known irate mode. The writing room sketches, meanwhile, simply inspired the idea that they should probably have remained in there a bit longer.
The Knox Dramatisation
This dramatisation of the story of Amanda Knox was executive produced by Amanda Knox and pretty much exclusively presented the perspective of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the tragic 2007 murder, this was not it. The subject matter needed to be handled with care. Instead, the series laboured awkwardly to find the right tone, lumbering from strangely breezy, somewhat stylised farce to inevitably, real-life horror. Twisted? Arguably. A total mess? Very much so.
The Maths Genius Thriller
We admire the lead actor … but did we believe him playing the most brilliant maths genius since, a man so smart he’s on the verge of a breakthrough that could ruin society? No! This international thriller about secret services targeting – and killing off – academics frankly got more absurd by the second. Formulaic nonsense.
1000 Men and Me: The Bonnie Blue Story
This hagiography followed the online personality notorious for explicit escapades as she undertook her most extreme feat yet. What on earth would possess her? What we craved was far greater examination of her true psyche, plus those of the men in the line. They could at least have interviewed the now-famous mum who showed up to haul her son away from the queue. What we got was disturbing shots and zero interrogation of her infamy whatsoever. And to think, the filmmaker has a teenage daughter too.